Download PDF Essential Techniques of Landscape Drawing: Master the Concepts and Methods for Observing and Rendering Nature, by Suzanne Brooker

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Essential Techniques of Landscape Drawing: Master the Concepts and Methods for Observing and Rendering Nature, by Suzanne Brooker

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Review

“Suzanne Brooker’s book Essential Techniques of Landscape Drawing is extremely thoughtful and compressive, with beautiful examples of landscape drawings. She’s written a wonderfully detailed book covering the various materials, applications, and approaches needed to execute successful landscape drawings.” —Costa Vavagiakis, art instructor at The Art Students League of New York"This book does a beautiful job of translating the visual complexities of the natural world into tangible concepts for artists, providing readers with the tools and techniques needed to achieve personal expression. Written in a language that is inspiring and easy to understand, Brooker’s teachings are essential for artists at all stages of their development." —Tamalin Baumgarten, professional artist and Master of Fine Arts

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About the Author

SUZANNE BROOKER has dedicated her life to art-making, both in studio practice and as an educator. She began her career as a teaching artist after receiving her MFA in figurative painting from California State University, Long Beach. She first began teaching at the Gage Academy of Art in Seattle in 1999. Since 2013, she has focused her classes on landscape painting and drawing. She is the author of Portrait Painting Atelier and The Elements of Landscape Oil Painting.

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Product details

Hardcover: 208 pages

Publisher: Watson-Guptill (August 7, 2018)

Language: English

ISBN-10: 0399580662

ISBN-13: 978-0399580666

Product Dimensions:

9.2 x 0.8 x 11.2 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#108,386 in Books (See Top 100 in Books)

While Suzanne Brooker’s book focuses on landscapes and the natural world, the incomparable value of classical drawing principles is that they can be applied to any subject matter. Beginning with an introduction to materials (graphite pencil is the primary medium used in the book, with brief discussion of colored pencil, charcoal, pastel and water-soluble pencils), Brooker takes the reader through the basic elements of drawing, such as line, value and form, and how specific techniques can be used to express them.For me, the meat of the book begins with Chapter 3, Light Logic and Shading Techniques. Although I have studied the basic principles covered by this chapter several times in other books and classes, and I thought I understood them, Brooker’s explanations helped me to internalize the principles in a way that I hadn’t before.What is “light logic”? “The sun touches objects in nature, creating areas of light and shadow in a predictable fashion.” Because the human brain automatically uses light logic to perceive an object, it’s an essential concept for rendering a three-dimensional form realistically. It sounds so simple – the classic drawing exercise of shading a ball or cube lighted from one side – yet it’s not at all easy to apply textbook understanding to real objects that are not balls and cubes. First you have to learn to see the highlight, core shadow and reflected light on an object in space, and then you must transfer that perception to the flat paper. I am still learning to do this, of course (I expect it to be a lifelong challenge), but I have nailed the first step: I can finally see this principle. (Now I can’t walk through a park on a sunny day without seeing core shadows on trees!)Succeeding chapters focus on step-by-step exercises for developing drawings from photo references. Many demos are included, showing various stages of drawing development. Particularly helpful are sections devoted to specific natural elements that make up a landscape, such as sky, terrain, trees and foliage, and water.Throughout the book are many examples of Brooker’s own work and those of her peers, students and classical masters. Even if you never draw, it’s a huge volume of delicious eye candy to savor. But after studying this book, I believe you will draw, because fully understanding these classic principles is likely to reinforce your passion for drawing as it did mine. When I finally grasped concepts that had been only floating peripherally in my brain before, I could not keep myself from putting them into practice.This beautiful book is a reference that I will turn to repeatedly to reinforce and remind me of what I’m learning. It also reminds me of everything I love about drawing. The many exquisite examples in the book show me what’s possible, and the instructions explain why.

Provided great techniques.

This book teaches the basic techniques of drawing and how to apply them to landscape drawing. The author started by talking about the different tools and materials for drawing. She explained various terms and techniques, like foreshortening, perspective, proportion, and such. She also covered the basics like how to hold a pencil, the grid method, composition, light and shading. She talked about how to apply these concepts to a drawing when you begin a drawing.Then she specifically talked about how to draw sky, terrain, trees, and water. In each section, she provided several step-by-step demonstrations showing how to draw different types of clouds, trees, etc. The first part of the book focused on pencil drawing, but she did cover charcoal pencils, colored pencils, and pastel pencils and included one demonstration for each. Overall, I'd recommend this informative book.I received an ebook review copy of this book from the publisher through Netgalley.

I found this book extremely easy to understand and use. The information is practical and illuminating, especially for me. Many times a look at a landscape and just love it - but where to begin? how to interpret it and what mark or stroke will translate what I see on paper. This book goes a long way to answer some of these questions, I particularly love the section on the sky and sea, and the part on foliage is also very good.There is an awful lot of information in this book, some of it basic other more advanced, so whatever your ability this book should satisfy any landscape artist.

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Essential Techniques of Landscape Drawing: Master the Concepts and Methods for Observing and Rendering Nature, by Suzanne Brooker PDF

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Ebook Free Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer

Ebook Free Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer

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Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom, by Chris Palmer

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From Booklist

Longtime producer Palmer provides an in-depth look at wild animals on film, covering the history of wildlife documentaries, safety issues, and the never-ending pressure to obtain the “money shot.” Marlin Perkins, Jacques Cousteau, Steve Irwin, Timothy Treadwell, and many other familiar names are discussed along with their work, accidents, and in some cases, untimely deaths. Palmer is highly critical of Irwin, and offers fascinating revelations about game farms used by exploitative filmmakers and photographers looking for easy shots and willing to use caged animals to obtain them. He also considers the subliminal messages of many wildlife films, considering everything from Shark Week to Happy Feet and how they manipulate audiences toward preset conclusions about animal behavior. In all this is an engaging and exceedingly timely look at a form of entertainment the public has long taken for granted and which, as Palmer points out, really needs a fresh and careful reconsideration. --Colleen Mondor

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Review

Praise for Shooting in the Wild“A well-reasoned yet passionate argument for changing wildlife filmmaking practices and creating ethical guidelines, this is an accessible and engaging read.” —Library Journal

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Product details

Paperback: 272 pages

Publisher: Counterpoint; First Edition edition (May 11, 2010)

Language: English

ISBN-10: 1578051487

ISBN-13: 978-1578051489

Product Dimensions:

6 x 0.8 x 8.9 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

60 customer reviews

Amazon Best Sellers Rank:

#1,086,779 in Books (See Top 100 in Books)

Chris Palmer combines the inside knowledge of a consummate industry professional with the concerns of an ethicist in this superb look at the world of environmental and wildlife filmmaking. There has always been a certain amount of tampering with reality in the field, but with a rising demand for new content that has to be on time and on budget, some producers engage in outright deceit or take moral shortcuts. Captive animals are substituted for wild ones, wild ones are provoked into uncharacteristic displays of violence in a lurid grab at ratings. Palmer himself admits that he has incorporated footage of captive animals. He's open and honest as to how his thinking has evolved, and unafraid to name those who knowingly practice deception. This informative, compelling book ends with an eight-point ethic for working and prospective filmmakers. SHOOTING IN THE WILD is an important work by an enlightened filmmaker. Highly recommended.

Over decades of watching wildlife documentaries, I had never heard (or registered) Chris Palmer's name. He's the guy behind the scenes organizing money, politics, policies, lobbying and such - the aspect of wildlife film making that most viewers blissfully ignore. Ignorance is bliss this book confirms.I came across this book as an Amazon recommendation based on a few purchases over the holidays. I thought it was an interesting topic and bought the book after its five-star rating and pages and pages of praise from the who's who of the wildlife world and a preface by Jane Goodall. Chris presents the book very well from the management perspective of the wildlife film making business. However, it's like listening to a politician's speech, which I guess is the flavor of talk for someone who's well-connected in D.C, Wall Street and various lobby groups? :)I took offense to calling Perkins' pitching for Mutual of Omaha in his pioneering documentary series as "prostitution" for a sponsor. This coming from Chris who says he uses the fame of celebrities to sell this movies and the fame of seasoned wildlife luminaries to sell his book (I wouldn't have bought this book if not for the praises). Chris mentions Attenborough several times and never once very positively. And he goes on to say that no one in Africa watches Attenborough anyway because it's all in English (during his praise of Cynthia Moses' work). I'm not so sure I get that argument, unless of course Attenborough's work cannot be translated to any African language.The book skims on some interesting but controversial topics. Raising funds for making a film suits someone who's got name, fame or connections to those with the required traits. Obviously, it's something which Chris is really good at but there's not much advice for someone who does not want to take that route. Not much was said on what happens with the money. For example, the movie 'Whales' took $1 million from NSF and $3 million from NWF and made more than $50 million. Is it ethical to gamble on money paid for by tax-payers (NSF) and members (NWF)? What happens to profits? Who are the buyers? Why not consider giving out documentaries for free as the are already paid for by sponsors? I was expecting more depth on this topic as this is where Chris' expertise would be as a manager/executive. Other topics that just scratches the surface is science versus filmmakers and wildlife management versus filmmakers. There's a lot more people-management skills involved in wildlife filmmaking than naturalist skills and I wished there could be more about that.I'm not a fan of personal attacks and the "my way or the highway" attitude that is a regular theme in the book. I wondered how many of those that were attacked for their documentary styles worked for Chris (Attenborough, Irwin, Brady Barr for example). Perhaps none? Not everyone likes or enjoys Brady Barr or Steve Irwin but there are also those that don't enjoy celebrity-hosted wildlife films as well, so it's probaly not fair to criticize different styles of wildlife films IMHO. Popular presenters are rebuked for not doing enough for conservation. This comes when none of Chris' films have taken on organized big-money big-power industries like oil or mining companies, instead frying little fish like poor sustenance hunters, fishermen and ranchers for conservation's sake.In the beginning Chris talks about sensationalism in a negative way, however nearly every discussion reeks of sensationalism from alligator chasing boats in a storm(really?), to elephants almost dying on film (sounds overly exaggerated) and other dramatic real-life experiences. Science seems to take a backseat except for a few superstars. Apparently all superstar scientists study primates, predators or other such totem species and successful wildlife films revolve around those. It is unfortunate given that we have millions of species and not much is known about them outside the science world. This is a sad state because of the money involved - right from raising funds to making profits. After all, other than the most diehard fans of nature, who wants to watch a documentary on naked mole rats or gut nematodes of a zebra? There's also the occasional hypocrisy in topics ranging from staging to shooting ethics. For example, in the ethics discussion Larry Engel chooses to just shoot a dying elk so as to not interfere with wildlife, but in the next few pages a cameraman's act of removing whale louse (whale lice) from a whale is praised.It's still a good book to read but it is misleading to think it's the state of the industry (if it is, then I'm horrified). It's more like a personal philosophy on making wildlife films. I only have more questions about the "secrets" of making wildlife films after reading this book and thought it was very biased.

This book sheds light on what really takes place behind the scenes in the making of wildlife films. It examines the history of the industry and exposes some of the controversial practices (past and present) that have become all too common. It acknowledges that, although these practices have led to some wonderful moments on film, they have often done so at a cost. Palmer shares his real life experiences and courageously questions some of his own decisions in the pursuit of “the right shot”.The book not only points out many of the questionable techniques involved in the process, it also suggests a path toward more ethical and sustainable practices that will (hopefully) lead to better, more authentic films, while reducing the impact on animals and ecosystems.Consumers and filmmakers alike will benefit from the information. The book should be required reading for anyone contemplating a career in the field of wildlife and natural history filmmaking. Finally someone on the inside has had the courage to address these issues and offer solutions on how the future of wildlife filmmaking might change for the better. A great read.

I'd always suspected that much of what we see in wildlife film and television is too good to be true. The wolf always appears when he or she should, the photographer is always in the right place to catch the cougar taking down the deer, the camera gets into the den to show the mother an her cubs. Palmer reminds us that many great cinematographers and producers of wildlife film and tv do put in the countless and thankless hours necessary to get the right shot at the right time. However, he doesn't pull punches or offer a needless defense of the oft-used practices of staging, creative editing, and downright trickery used by many producers. A great book. There's also a recent PBS special that makes a great companion.

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PDF Download , by Edward A. Kutac

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Product details

File Size: 6955 KB

Print Length: 408 pages

Publisher: Taylor Trade Publishing; 3rd Revised ed. edition (January 1, 1998)

Publication Date: July 26, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00BF8MDP6

Text-to-Speech:

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Amazon Best Sellers Rank:

#1,190,954 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Download Signing: How To Speak With YOur Hands

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From the Publisher

American Sign Language is a wonderful silent language of hands, face, and body that is rich with nuance, emotion, and grace. Bantam is proud to present the newly revised Signing : How To Speak With Your Hands, a comprehensive and easy-to-use guide that has long been the invaluable and definitive guide for families, friends, and professionals who need to communicate effectively with deaf children and adults. Now this expanded edition, with redesigned interiors and updated material, includes even more signs; large, upper-torso illustrations clearly show formation and movement of the hands, and their relation to the face and body. All the beautifully illustrated signs are accompanied by precise, easy-to-follow instructions on how to form them. This complete guide includes chapters on common phrases, the alphabet, foods and eating, health, recreation, and the newest chapter covering technology, politics. education, and music.

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From the Inside Flap

American Sign Language is a wonderful silent language of hands, face, and body that is rich with nuance, emotion, and grace. Bantam is proud to present the newly revised "Signing: "How To Speak With Your Hands, a comprehensive and easy-to-use guide that has long been the invaluable and definitive guide for families, friends, and professionals who need to communicate effectively with deaf children and adults. Now this expanded edition, with redesigned interiors and updated material, includes even more signs; large, upper-torso illustrations clearly show formation and movement of the hands, and their relation to the face and body. All the beautifully illustrated signs are accompanied by precise, easy-to-follow instructions on how to form them. This complete guide includes chapters on common phrases, the alphabet, foods and eating, health, recreation, and the newest chapter covering technology, politics. education, and music.

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Product details

Paperback: 262 pages

Publisher: Bantam; Revised, Updated, Subsequent edition (August 1, 1995)

Language: English

ISBN-10: 9780553375398

ISBN-13: 978-0553375398

ASIN: 0553375393

Product Dimensions:

7.8 x 0.7 x 10.7 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

95 customer reviews

Amazon Best Sellers Rank:

#185,990 in Books (See Top 100 in Books)

I received this book originally the year it was published, well over 20 years ago. With a few additions, it is basically the same as my first edition. I bought this one for my children, who are now taking their first ASL courses.I like how clear the illustrations are, but the reason I prefer this as a first lessons book to others on the market, is because of the hints to help remember signs, written below each description. It helps cement the new language into memory. GIRL signed like a bonnet string, for example.There are, perhaps, not enough Deaf Culture or Linguistic Theory notations in this book for a real die-hard, but for an entry-level student, it is easy to browse, organized well by topic, has a clear index & table of contents, and serves a first year student well as a vocabulary reference dictionary.

My husband and I are taking a sign language class and this was the book we needed for it. A lot of the signs aren’t used any longer so when we try to practice at home we’re never sure it that particular sign is useable or not. For the book to be so out of date and still cost $18 is a bit of a rip off and very disappointing. Each sign does have a drawing and a description written out on how your hands are supposed to be positioned and etc. The written description is very helpful because the drawing can be a bit misleading. The book as a whole is helpful to a certain point but needs to be updated more often!

A lot of ASL guides seem to do the alphabet and then start showing signs without a lot of help on how they go together. ASL is its own language and this modest little book starts off with some idioms for everyday communication. I don't think you can learn ASL from this - it's a big language - but combining it with videos online (Google ASL dictionary) you can learn and review useful phrases for greetings and quick questions and make someone feel welcome before asking (in ASL) if they'd like a pen and paper should the conversation go beyond you.

This book was published in 1995, it has not been taken care of. I feel like the price was too much for its poor condition. It had splatter on the front that appeared to be vomit, I wiped it clean with disinfectant wipes only to be just as disappointed with the interior of the book. It smells horrible and the pages are stained yellow. The entire book has heavy scratches and ware. I am not sure why they even tried to sell this book in this condition. I’m trying to learn asl and this is a horrible experience.

just started taking asl and this book was recommended by the instructor so i bought it. the book has been so handy and i love the fact that the signs we are learning are the same ones that are in the book. the reason i give it 4 out of 5 stars is i wish the movement of the hands was a little more clear or that it was actual pictures of someones hands instead of a drawing.

Older book and not perfect, but I really enjoy the way the signs are grouped a lot better than the newer books. It does a good job explaining the basics of ASL linguistics, just touching on how to form signs and the importance of facial expression and body language. However, this book is aimed at building ASL vocabulary. If you want to learn the signs that are used most often in every day conversation it is perfect. For learning the grammatical structure of ASL, taking the 20-40 signs you learn and then knowing how to put them together to form complete coherent ideas, this is not the book for it. Using this book in conjecture with the ASL green books, or as an aid to an ASL class, would be the best use of this book.

I bought this to replace books that were over 15 yrs old and starting to fall apart. I used this and other books by Elaine in conjunction with classroom instruction with a native signer. Excellent ‘ hints’ about the ‘ why’ behind the sign, they really assist in helping to remember the sign.

I don't have a context for rating the book, which is the only reason I've given it four stars rather than five. I bought Signing as a textbook for a basic ASL class, so I had a lot of help using it. My instructor was deaf, by the way, and this was her preferred book for her students. I suppose that's a pretty good recommendation in itself.My interest in ASL is communications with a deaf 7-year-old grandson, plus learning enough ASL to work in an adaptive alpine ski program.

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Signing: How To Speak With YOur Hands PDF

Signing: How To Speak With YOur Hands PDF

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Audible Audiobook

Listening Length: 9 hours and 7 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hay House

Audible.com Release Date: October 30, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07HFCVZT3

Amazon Best Sellers Rank:

Lots of things to ponder. Well presented.

The Science of Self-Empowerment: Awakening the New Human Story PDF
The Science of Self-Empowerment: Awakening the New Human Story EPub
The Science of Self-Empowerment: Awakening the New Human Story Doc
The Science of Self-Empowerment: Awakening the New Human Story iBooks
The Science of Self-Empowerment: Awakening the New Human Story rtf
The Science of Self-Empowerment: Awakening the New Human Story Mobipocket
The Science of Self-Empowerment: Awakening the New Human Story Kindle

The Science of Self-Empowerment: Awakening the New Human Story PDF

The Science of Self-Empowerment: Awakening the New Human Story PDF

The Science of Self-Empowerment: Awakening the New Human Story PDF

The Science of Self-Empowerment: Awakening the New Human Story PDF

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