Kamis, 25 Januari 2018

Get Free Ebook , by Lynda Chance

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, by Lynda Chance

Product details

File Size: 1711 KB

Print Length: 190 pages

Simultaneous Device Usage: Unlimited

Publisher: Lynda Chance Books (March 10, 2019)

Publication Date: March 10, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PG7TNC6

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Amazon Best Sellers Rank:

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I have read the majority of the author's books and while it is not my favorite it is not the one I like the least either. That story would be An Eye for An Eye, Katie and Zack's story that is the second book in this series. It was just too depressing to me and not how I want to feel while reading this author's books.I read the author's books because not only is she a good writer but usually because she gives me what I want in a romance book. A story that has a jealous, possessive, protective and faithful alpha hero with hot sexy times and a HEA ending. This book had most of those elements. Ethan certainly was jealous, possessives and protective. Also there were definitely hot sexy times in the story but not so many it overwhelms the plot. Also we got the HEA ending with an epilogue with many years in the future which I liked. In fact I would have given the story a 4 star rating if the author had not made Ethan a manhoe. It is not that Ethan is the worse manhoe I read about. He certainly isn't.Unlike some other manhoes he is faithful to Ava after getting physical with her including during the separation.The problem for me is that Ethan gets compared to all of the author's other alphas and he comes up short in the fidelity department. He wanted Eva but could not have her because of her age (they are 1 1/2 years apart). However instead of waiting to have sex with her like Josh did when he met and dated Hannah (who was 2 1/2 years younger than him), the characters from the first book in the series, Ethan had smex with OW while imaging Ava's face. So not cool. Ethan admitted that he was out trolling for other girls a lot and closing his eyes while pushing into them. He claimed that he wanted Ava so much but unlike the author's other heroes, he was not wiling to go without. Apparently his hand was not good enough. That made me feel less for him coupled with the fact that had sex on the brain in general at least during the first 15 percent of the story.The author said that she could not rewrite history, that Ethan was a manhoe in other books. I have read Josh and Hannah too many times to count and I there were never any scenes with Ethan and OW. If a reference was made to him being a manhoe then I missed it. However even if it was stated in another book authors have creative licenses to change things including a character's history and I cannot see one fan complaining if Ethan's manhoe's past was not discussed. The story could have started from the point he was celibate which was over a year before he got together with Ava. No details were needed, no thoughts about pushing into other girls. This should especially be the case given that Ava had not even dated OM much less had smex with them. She only kissed a few boys. Why emphasize how much more sexually experienced he was than her? Such a sexist double standard. However admittedly it only really bothers me when a hero will not give up having smex with OW after wanting the heroine.The other reason that I deducted a star is that the story dragged in places. It probably didn't help that they spent too much time apart and miserable in the second half of the book. Also there seemed to be a lot of telling and no showing. I just wasn't feeling the things that happened. Rather I felt very much removed from them, unlike how I feel when reading the author's other books.

Holy heck! Okay, wow! While this book is everything I expected from this author, it also had some angsty surprises that gutted me.Ethan has known Ava all their lives. As his best friend’s little sister she’s always been right there in front of him. That also means when she begins to grow up and becomes a woman…she is right there in front of him. And he doesn’t miss a single thing. After fighting against his desires for so long, he finally makes his move.Ava has had a huge crush on Ethan forever and when he finally takes a step towards her, she’s so very ready. But life can tend to get complicated and such is the case when it comes to Ethan and Ava’s relationship. They have a lot of things going against them but if they hold strong together and stick to their plans they can find their happy ever after. But again…life is complicated.They had a long road ahead of them to get there, but he was single-minded – hell bent even – in his determination to achieve the life he wanted for them. Everything else was just details.I absolutely LOVE Ethan. He is everything I adore in a hero. Fierce and determined in his need to claim his woman. Protective, jealous – even when not necessary, and strong enough to face their troubles without giving into them. His desire for Ava couldn’t have been more clearly shown. He could only fight it for so long before he takes what he was always afraid of never getting even a taste of.While Ava’s character was a little less developed, she is the one that most of the angst revolves around. Her issues with her family had me on the edge of my seat so many times. I mean, really. Her mother was like psycho-mom and I never did trust her.I’ve loved everything that this author writes because she knows exactly how I want my hero. Even if there are parts that might drive a reader crazy, it’s ultimately the hero that will keep you coming back for more. After all, she’s the queen of alpha heroes for a reason. They are just soo good and Ethan reminded me of that fact.Ethan loved her with a single-minded devotion that brooked no resistance.This is a fast read and holy heck the chemistry is sizzling. As in, I-hope-no-one-sees-my-red-cheeks-and-quickened-breathing sizzling. The angst is pretty high here but not outrageously so and almost all of it is due to outside forces. We have some great views of Josh and Hannah and what I hope is the foundation for Ty’s story. There’s a reason he went to Houston and I know who choose that town to live in.I HIGHLY recommend this book to anyone who is addicted to a ferocious, all consuming alpha hero. Every woman needs an Ethan in their life!Dual POV

I have been waiting 6 years for Ava and Ethan's story! So glad it finally arrived today--out of the blue. I didn't realize this book was on its way.Sat down and started reading right away. Lynda Chance allowed Ethan and Ava to develop more as characters than we were able to see in the first book in the series. She had time to think out how the relationship could grow and did a great job with it.I have hope that the author might extend the Redwood Falls series, perhaps with the stories of Ava's and Hannah's children. Fireworks for sure from those daddies! Lynda, please keep writing.This book can be read as a stand alone, even though it is part of a series.

I will admit that I have been waiting for Ethan and Ava's story since I finished Josh and Hannah's story. Thank you Lynda for bringing this beautiful tale to life and sharing it with us.I enjoyed seeing the storyline through Ethan's perspective as well as Ava's. Even knowing from previous stories in the series that the subject matter was going to be potentially difficult, I felt it was handle eloquently and given the thought and care I've always enjoyed in her novels. The "steam" factor was appropriate and added to their story very well. The pace was perfect and I didn't feel as if a single word was a waste of time. It was absolutely worth the wait.

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Jumat, 05 Januari 2018

Ebook Free , by Dorian Lynskey

Ebook Free , by Dorian Lynskey

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, by Dorian Lynskey

Product details

File Size: 2221 KB

Print Length: 683 pages

Publisher: HarperCollins e-books (April 5, 2011)

Publication Date: April 5, 2011

Sold by: HarperCollins Publishers

Language: English

ASIN: B004J18P30

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Amazon Best Sellers Rank:

#395,918 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I am no historian, and I am not much of a music-love, but I read this book on a recommendation.I enjoy Lynskey's writing style. He manages to pack a lot into each chapter and gave me a lot of new insight into the impact of the music he was discussing as well as the context in which it was written and a bit of history on the events and culture of the time. I learned a lot about the songs, the artists and each chapter was like a snapshot of the era it was discussing.However, some chapters seemed to barely discuss the title song of the chapter or even the artist. He'll discuss all of the political events going on and other artists and songs and then finally mention the song the chapter is titled for.This didn't really detract from the book, overall, in my opinion. While a thick book, I consider it a light read. Each chapter pretty self-contained. You don't have to read them all or in order if you don't want to, so it's an easy book to pick up occasionally and take your time with or at the same time as other books.

A good 80% of the bands I never even heard of and about 90% of the songs I never heard of. Can't be a good protest song if the mainstream public never hears them. Many protest songs I HAVE heard of were barely touched on or not mentioned at all. And there was WAY too much profanity, the f word in particular. Wish I could get my money back, but at least I got it on sale rather than at the regular price.

I realize that 5 starts is the max, however, for me this book hit all the marks. It uses just over 30 songs spanning from the late 1930s until the early 2010's as catalysts for a myriad of songs, artists and styles that created what can be called protest music. The writing is crisp and concise and includes dozens upon dozens of quotes from the artists themselves. Lynskey's voice as historian is strong as he succeeds in not only putting each song in context of the social and historic times in which it was written or propagated, but he also places these songs as complements, contrasts and comparisons to other ages and eras of pop music, politics and culture. Lastly, I was glad that he accounts for his scope in the introduction where he lets us know that he will be covering specific areas of the world, but not the entire planet! The U.S., UK, Jamaica and Africa are well documented and pleasingly fills the text. I would be curious how he would cover Pussy Riot's story as they are a realized culmination of so many aspects of so many artists that he covers in his book.

This is really well done, better than I thought it would be. No pandering here; Lynskey assumes a reader of intelligence and knowledge, and gives strong opinions. The chapters are long and engaging, and he really puts you in the era and context. Highly recommended.

No one interested in how pop-culture affects society, a vastly ignored subject by social scientists, can afford NOT to include this on their bookshelf. Linsky quite humbly invites us to share his assessment of music concerned with politics and humanity, with great competence and great humility. The printed book includes a fine set of photographs.

Well written, fascinating although scattergun approach to protest songs. Author rather wisely avoids going back too far in history and does a great job providing context for each song.

This is A, rather than THE, history of protest songs.At its best, the book is informative. Even if you hate a particular song and/or artist, the author manages to keeps one's interest in reading about it/them. In part this is due to his scatter-shot approach, encompassing eras and genres. It is also well-researched.Where it fails is in the balance of history. There are far too many relatively recent songs included. That Phil Ochs wasn't granted a chapter, while Frankie Goes To Hollywood was, is criminal. Broadside magazine is hardly even mentioned, while the author goes out of his way to include an obscure disco song, as well as U#2's "Pride (In The Name of Love)," which isn't even a protest song but, rather, a song of celebration. So why include it? I suspect it's for the same reason that the book is so laden with relatively recent songs, that the main concern was the bottom line. Most people will want to read about songs that they're familiar with.So the blues, a form of music that, by it's very nature, is a protest, is totally ignored. Part of this is probably due to the author's definition of protest music, which he links to politics. There are, of course, other forms of revolution, such as cultural and social, but the author chooses to put blinders on concerning them. Still, I'd much rather have read something about the "Bourgeois Blues" than "Two Tribes."Even among the modern music the author does highlight, there is some head-scratching on my part. Does Dorian Lynskey honestly believe that Huggy Bear is more representative of Riot Grrrl than Bikini Kill? Does he not believe that Patti Smith's song "People Have The Power" is even worth mentioning? Doesn't he see the implicit revolutionary aspect of the entire DIY culture / "indie scene," in which the "workers" have seized the means of production?This is still a worthwhile book. I learned quite a bit about such artists as Crass, Linton Kwesi Johnson, Victor Jara and Feli Kuti. While I would not say that it is at all definitive, it is a good start.

what I enjoed most about the book was the amazing and interesting stories beghind the songs. A history lesson of each song!

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Minggu, 31 Desember 2017

Ebook Download Lean for the Process Industries: Dealing with Complexity

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Lean for the Process Industries: Dealing with Complexity


Lean for the Process Industries: Dealing with Complexity


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Lean for the Process Industries: Dealing with Complexity

Review

…provides a nice balance between lean philosophies and concepts, as well as guidance and examples. The content enables operations managers to gain an understanding of basic ideas and principles, and it is detailed enough that process engineers and lean practitioners can learn specific applications of the various tools. If you work in the process industry and want to make improvements to your lean manufacturing operations, Lean for the Process Industries is highly recommended.―Janice M. Gullo, CFPIM, CSC writing in APICS magazine, July/August 2010  King has done a masterful job of describing the application of lean concepts and tools, which originated in discrete part and assembly operations, to the process industries. His book will become the handbook for lean practitioners in those industries. ―Ted Brown, Lean Competency Champion, DuPont Operations & Supply Chain Center of Competency King truly understands Lean Manufacturing and the intricacies of applying Lean tools in the process industries; he has mastered the theory and the application of Lean.― Douglas R. Kroeger, past president, IIE Process Industries Division; manufacturing manager, Nestlé Nutrition This book is a must-read for Lean practitioners in chemicals, pharmaceuticals, and other process industries.― Tom Knight, founder and chief strategy officer, Invistics Corporation King does a wonderful job blending the complementary aspects of Lean and the theory of constraints in an integrated approach specific to a continuous process flow environment.― Jeff Oelke, program director, Operations Management Certificate, University of Wisconsin-Madison

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About the Author

Lean Dynamics LLC, Newark, Delaware, USA

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Product details

Hardcover: 358 pages

Publisher: Productivity Press; 1 edition (May 26, 2009)

Language: English

ISBN-10: 9781420078510

ISBN-13: 978-1420078510

ASIN: 1420078518

Product Dimensions:

6.3 x 1.1 x 9.1 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#838,647 in Books (See Top 100 in Books)

Found at Amazon.This is the norm for Amazon. Exceptional products at competitive prices, and fast shipping.This is why most all of my online shopping ends with Amazon. Don't waste time with other so called online bargains, because after the calculations are complete Amazon is seldom beat.

Excellent book.I'm an engineer who jumped into the world of supply chain. this book is easy to read and understand. Also has a lot of useful and informative content.

Great book . Recommended for Lean practitioners in the process industries including , chemical,pharmaceutical , food , ...

As described.

Great book. Author has a lot of knowledge. Read it and will read it again. Had read books from other authors and this one is more direct.

The book was very helpful. Nice job of explaining the differences between discrete and process manufacturing while providing a common sense approach to applying lean in the process world. You will want to read this if you've been frustrated by the lack of process examples. It would also be helpful to those making the transition from a discrete to a process industry.

This book is an invaluable resource. There is no other book (that I know of) that discusses process industries, and this book goes in depth in an informative and interesting way.

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Jumat, 22 Desember 2017

Free Ebook Palace of the Plague Lord (Warhammer Novels), by C. L. Werner

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Palace of the Plague Lord (Warhammer Novels), by C. L. Werner


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Palace of the Plague Lord (Warhammer Novels), by C. L. Werner

Product details

Series: Warhammer Novels

Mass Market Paperback: 416 pages

Publisher: Games Workshop (August 28, 2007)

Language: English

ISBN-10: 1844164810

ISBN-13: 978-1844164813

Product Dimensions:

4 x 1 x 6.8 inches

Shipping Weight: 7 ounces

Average Customer Review:

4.3 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#1,448,817 in Books (See Top 100 in Books)

It is ultimately a tale about a man who wants to save what he loves. It was a simple tale in someways but still enjoyable. It had a few twist that surprised me. I would highly recommend this book.

I'm not a Warhammer fan-geek, so you won't find my review being based on whether or not the novel kept to the "rules" of some made-up universe or characters. I'm just a lover of pulp fiction and B-movies, and this book qualifies in spades. I'm also not some aspiring snob who mis-applies what he supposedly learned in "Writing 101". I've read many reviews by the clueless that bemoan "lack of character development" in a novel that not only doesn't require it to a great extent, but would be slowed by its excessive, and therefore pointless, use. I mention this as there are no deep insights into the characters here, nor are any required. You have the main character who has an obvious motive for his actions throughout the story, and you have the others who join him on his quest that are fleshed out just to the degree they need to be and no more. Granted, this is not some genre-crossing epic. It is plainly intended for Warhammer fans, lovers of dark fantasy and action junkies; all others need not apply. I'll also defend the writing, as I can see grounds for criticism here. The prose careens through the story at such a pace that the editing seems unable to keep up. Clearly, this novel was written in a hurry and rushed to print without all the "i"s dotted and all the "t"s crossed and the result comes across almost like a rough, first draft. Some of the descriptions are so over-the-top, with more than one instance of an adjective being used twice in the same sentence that it was almost humorous to witness the urgent, almost adolescent need to show just how everything was sooooo disgusting! Well, let me say that I absolutely loved it! Carefully crafted prose skillfully imparts to the reader the author's vision, but, in my opinion, seldom enables the reader to connect to the author himself. This isn't as contradictory as it sounds if one keeps in mind the old saying about who we think we are, and who we really are. Since this book, I've read more of C.L. Werner's work and I can vouch for his ability to write polished prose along with the best of them. It's just that, here, I'm able to actually feel the writer's drive as he hunches over his keyboard trying to get all his thoughts out before they pass, while constantly aware of some publishing deadline. Surely, the pulp masters of old did the exact same thing. In fact, I suppose the Warhammer books could qualify as the modern equivalent. I'm an aspiring author myself, and I felt both gratified and priviledged to get this rare opportunity to not only feel the creative process at work, but to connect to the author's inner self that he probably didn't count on exposing. However one feels about this, the fact is that the writing here is super-charged with furious energy. Though there are some good writers for Warhammer, I've found that most seem hobbled by the confines of their subject matter. Here, on the other hand, is a tale where almost anything can pop out of the woodwork. I'm a monster-lover first and foremost, and I've often been disappointed to continually encounter undead, Orcs, etc. within the pages of the Black Library, but Werner comes up with original creatures and new takes on old ones. Also, the raven god was fresh for the Old Warhammer World and did much to dispel its claustrophobia, I thought. The first horror the protagonist encounters is a real doozy, one of the best I've ever read. The rest of the novel is one, long, monster-filled running battle with barely a moment's respite and this is well-served by the previously mentioned helter-skelter pace of the writing. It is apparent that the author is writing just the kind of story he himself likes to read.If you love action, you won't be disappointed. If you love monsters, you'll be ecstatic. I love both.

great, fast paced book. Classic warhammer style. In -depth characters.

This book was excellent in that the descriptions of how vile and "plague"-like really left you with an impression. When the character is in a demonic palace, you certainly have some indication of what that palace looks like and the author did a great job describing it to you.I also liked the storyline of the book, and the way it is concluded at first made me angry, but then later I liked it even better as it is an accurate portrayal of the Warhammer world, not some book where all the characters end up having superpowers and destroying everything.Also any book that has an Ogre as one of the main characters deserves a 5 star rating. You can't top that. Ogres are awesome :)

C. L. Werner writes another fantastic book which is full of blood and guts, and I DO recommend the book. But, this brings me to my main gripe with this novel. At some point the book simply goes overboard with all the vileness in describing the Plague Lord's domain.Some would call this a highpoint, but after some very vivid explanations of the disgusting Domain of Skoroth and the Plague Lord, I was left wanting return to beautiful skies and green grass, and I even took a step outside for a breath of fresh air. But I love Werner's works and you could say that he really has an incredible imagination and wastes no time in proving it with Palace of the Plague Lord.And, it's about time we had a great Barbarian themed book.

Excellent book

Yuck. That pretty much sums up this book. The main character is a morally confused dupe wandering around the most descriptive and disgusting plot I've ever been witness to. If you really, really enjoy experiencing things which are foul and disgusting then read this book.

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Senin, 11 Desember 2017

Ebook Free , by Krishna Rungta

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Product details

File Size: 9822 KB

Print Length: 71 pages

Simultaneous Device Usage: Unlimited

Publication Date: November 24, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01N68X9AL

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Amazon Best Sellers Rank:

#461,804 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Kamis, 07 Desember 2017

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Product details

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Audible Audiobook

Listening Length: 11 hours and 17 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: February 28, 2014

Whispersync for Voice: Ready

Language: English

ASIN: B00IPL5AFG

Amazon Best Sellers Rank:

I liked reading this novel and might consider reading another one written by Paul Batista. However, the annoyances I could not overlook were how things did not always fit the proper timelines. It was as if the book was originally written to fit the 1980s era but re-edited to modernize it to today's time and lifestyle.The ages of the characters do not match what they should be based on their life experiences (a Vietnam vet would not be in his 40s or 50s), phone booths (really?) as well as cell phones, Phil Donahue but not Phil McGraw, and other situations.

This book began with a good story... However, by page 5 it was just another 'F ' bomb laden failure? Guess the author has a limited vocabulary.

3.5 Stars. Twisting. Stand-alone that stars off fast then slowly comes to a blah end.The storyline, actions, reactions and procedures are not realistic. Characters and dialogue are okay but nothing memorable.There is missing money and no one goes to the surviving family members for information? The wife ending up with the crooked lawyer?No desire to re-read this story.Remember this is my personal opinion and does not reflect on the author.

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I will have to renew my efforts to find more books by Mr Batista. I loved the romance, the baby & her nanny. The lawyer and the drive with which the crooks pursued their quarry; the resourcefulness of Julie. I just loved the whole mixture. A very satisfying read; made me feel good.

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This book kept me involved throughout..it is a fiction from page one until the end and it will be worth your time to read it.

This is a big story told my a master.The author is a famous lawyer and he has written a masterful thriller. Courtroom drama, corruption at the highest level, steamy romance, and a plot that unwinds in unpredictable twist.

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Selasa, 05 Desember 2017

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Indian Country

Product details

Paperback: 452 pages

Publisher: Kurt Schlichter (June 2, 2017)

Language: English

ISBN-10: 0988402963

ISBN-13: 978-0988402966

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

354 customer reviews

Amazon Best Sellers Rank:

#40,375 in Books (See Top 100 in Books)

If you are not following @Kurtschlichter on Twitter, you're missing out on some great writing. I decided, since I had missed the boat on the People's Republic, to try Indian Country first, and then read People's Republic. This is a great book, for a number of reasons. First, if you're a liberal, please read this book to understand where you're headed. You will probably hate me for this suggestion, but it might help you understand why you're wrong. If you're a conservative, understand that this book paints a picture of what happens if conservatism does not survive. It's a political novel in the same way 1984 was, but the politics do not get in the way of the great story.If you read this book with an understanding of the author's background in the Army, you'll understand why he can write so authoritatively about organizing an uprising. Without explicitly saying so, he notes the US Army's failures in Iraq, and he incorporates the Baathist resistance approach into his organizing of the people in the novel. If you look at the Hoosiers in this book as the Iraqi insurgents, you better understand what the author is conveying.Very few authors can tell a serious story and make you laugh. Dean Koontz can. Carl Hiaason can. And Kurt Schlichter can. In the novel he pokes fun at the liberal ideas of gender fluidity, gender identity, equality of result (as opposed to equality of opportunity) and the way that liberal groupthink encroaches on personal liberty. He pays tribute to the Second Amendment, and most importantly, to the M1911A1 pistol (although, he uses a Wilson Combat instead of a Kimber, so we differ there). I like the fact that the realism is there, and that the ugly cost of warfare is not sanitized nicely in this book. Heroes die. Innocents are lost. And, yes, our hero sometimes crosses that line he shouldn't cross. But if you read this book and are unhappy with it, it won't be because of the writing. It will likely be because you're part of the problem in this country, not a part of the solution.

In the distant past—five months ago—I believed our country could heal its divisions. Sure, we’d always have disagreements, and sure, our new President was always going to be unpopular with a lot of people. But, after all, he had won a democratic election. The Left would regroup, consider why its offerings had been rejected, and perhaps dial back its extremism. But I was wrong. The Left has instead doubled down on hatred. This was shown yesterday, when the fear and anger created and nurtured by the Left over the past two decades, deliberately whipped to a fever pitch in the past months, caused the first attempted political assassinations of Republican Congressmen. In this harsh light, the split of the country originally posited by Kurt Schlichter in “People’s Republic” no longer seems as unrealistic as I thought in my November 2016 review of that book. As Schlichter accurately says, “Yes, the Left hates Trump, but its hatred is really for us.”This book, “Indian Country,” is a sequel of sorts (actually a prequel) to “People’s Republic,” and it succeeds in being the rare sequel that is even better than its predecessor. At its heart, Indian Country is black comedy as cautionary tale, with a bunch of guns and killing thrown in. It is “Gulliver’s Travels” for the 21st Century, with more Javelins and less international travel. Like all good satire, its targets are exaggerated versions of undoubtedly existing tendencies or practices, rather than fantasies woven out of whole cloth (which would be make-believe, not satire). But that basis in reality makes it a doubly disturbing, though often amusing, read in today’s environment.It is true that even to a Schlichter fan, such as I most definitely am, a few elements of the satire seem silly at first. But that is a fault in my vision, not in Schlichter. He has merely realized, and now ably communicates to us, the truth that a lot of things existing in the world of June 2017 also seemed equally silly, not so long ago. Now, though, the Left, with its domination of all news-setting media, academia, and big business, characterizes them as eternal truths, opposition to which, we are indoctrinated, is either insanity or hatred. So, when Schlichter talks about “reparations taxes” being imposed on all those not in a designated victim category, or describes the squabble between a Hindu and a cripple, each claiming higher oppression status so that he can advance in the line for airport customs, it may seem silly. But, if you think about it honestly, that’s exactly what would happen in California this very moment if that state were left to its own devices.“Indian Country” is tightly focused in time and space. It takes place over several weeks beginning June, 2027. The country had split in 2023, following Hillary Clinton’s election to replace Donald Trump, and her immediate attempts to, among other things, seize guns (which, again, is undoubtedly what would happen immediately if the Left fully gained power—anyone who says otherwise is totally delusional or a liar). The “Split” is hastily negotiated and has the two coastal regions as one new “blue” country, the self-named “People’s Republic.” The rest of the country, basically the flyover states, remains the “United States.”Crucially for the plot of this book, the division is made strictly along existing state lines, for purposes of getting the Split accomplished quickly. But that means that some areas that really should be blue are in red states, and vice versa. One such area is southern Indiana, centered around Jasper. As the two countries negotiate border revisions, the book turns on efforts by the United States to destabilize southern Indiana in an attempt to make abandoning it more attractive to the People’s Republic—a realistic scenario that does not cast the United States as at all heroic, merely realistic and practical. The result is non-violent #Resistance by the red-leaning citizens of Jasper (accelerated, but not caused, by the hero of the story), followed by violent repression by jack-booted thugs (complete with political officers, i.e., “diversity commissars”—a nice touch), followed by ever-widening circles of retribution, anger and violence, capped off by armored brigade-level fighting countered by irregular action, centered in and around Jasper.We tend to look at a scenario like this and say “it can’t happen here,” simply because we can’t picture it here. Isn’t this deep down still the country of Norman Rockwell’s portrayals, with better cars and social media? No, of course it isn’t (nor was much of the country even in Rockwell’s time like that, though many areas were, convenient post hoc Leftist myth to the contrary notwithstanding). This blindness is an error. Not only can it happen here, it has happened here. Think, for example, of Civil War Missouri. Or think of the 1970s, when in eighteen months during 1971 and 1972 the Left detonated 2,500 bombs in America. This wave of terrorism has been erased from memory because it was the Left who did it. And they, together with their media and academia allies, were then actively working for the imposition of a form of government that would have executed millions of Americans if it had come to power. It very much can happen here, and not just simple battle, but the types of atrocities we inaccurately associate only with distant places and foreign cultures, like Cambodia or Turkey.So, I think I’ll take the opposite tack of my “People’s Republic” review—I’ll examine what things in this book are realistic, even if they’re not things most people like to think about. That said, as with People’s Republic, this book posits too much one-sided virtue—it portrays, for example, what amounts to a heroic hillbilly family (most of whom are massacred by the irregular militia “People’s Volunteers,” along with the federalized police, the “People’s Security Force”). I am sure there are heroic hillbilly families. But far too many of them are just as welfare- and substance-dependent as many in big cities. The other day the New York Times profiled a pathetic male-free household of multiple generations eager for disability checks, in rural red America, living in squalor, totally dependent on pills and handouts. As a spate of recent books, from Sam Quinones’s “Dreamland” to J.D. Vance’s “Hillbilly Elegy,” have chronicled, the “red” lower classes in America are in a very bad way, and are not just waiting to take up arms against the Man to defend their ancient freedoms. They’re waiting for their next government check so they can get four cases of Mountain Dew, two cartons of Marlboro Lights, and some meth.On to realism. First, in any civil conflict, it is impossible to stay neutral indefinitely, human nature being what it is. The best example of this in American history is the Tories in the War of Independence, whom we conveniently forget were violently abused where they were a minority, sometimes killed, and almost all driven out, going first to New York or other havens, and ultimately to Canada, Florida, the Caribbean or England. Schlichter even has the Red locals call other locals sympathetic to the progressive cause “Tories.” While allegiance to nut jobs like the People’s Republic seems strange, it makes complete sense that such people would exist when you think about all the people you know who define their self-worth by allegiance to the latest progressive ideological inanity. The original Tories had good reasons for being Loyalist; these Tories are a few notches higher, or lower, in the stupidity scale. But the point is everyone is always forced to choose a side, even though most people don’t really want to.Second, and related, there are no angels in civil wars. Such conflicts are never clean—not that war ever is, but a civil war is much less so. We run a clean drone war in the Middle East, from our perspective (not from the target’s perspective). That’s possible because it’s impossible to get to the drone operators. As Schlichter shows, if drones were used in America, the targets would become the drone operators. Or, even more likely, though Schlichter does not show it, their families. Over time, the evil that men do gets glossed over. We forget what John Brown did in Kansas, because he later became an icon. It wasn’t pretty, and it wouldn’t be in any future American civil war either, on either side.Third, it is critical to never underestimate your enemies. The Left is stupid in this book, just like in real life. They really would have diversity commissars, undercut military readiness by mandatory sensitivity training and general lack of competence, and stifle innovation and productivity. But that doesn’t mean they’re not a threat. Stalin had commissars too, and killed much of his officer corps, and he was still capable of fighting a war. Just because the Left shoots itself in the foot by elevating fat transgender people to colonel rank doesn’t mean they can’t shoot you too, or have their People’s Volunteers do it for fun. When in doubt, shoot first, rather than waiting relying on their incompetence causing their collapse.Fourth, on a lighter note, “Indian Country” does an outstanding job exposing as ridiculous sophistical cant that sounds good on first impression, a position we already find ourselves in today. Thus, posters are everywhere in blue America, announcing “Intolerance Will Not Be Tolerated.” The government airline in the blue states is “Justice Air,” and the in-flight magazine cover story “was a hagiography about a differently abled Justice Air pilot. She was blind.” Deodorant is constricted to one male and one female version—followed by reduction to only one choice because “genderfluid individuals” protested this hate crime. (This is, of course, a satire of an actual admonition of Bernie Sanders). This action is characterized as “The People’s Republic was hoping to soon be able to expand the constriction of choices throughout the country as part of its quest for greater freedom.” Practically every page has something like this, which make the reader unsure whether to laugh or cry, since most such passages have the ring of truth, being necessarily dictated by the principles of the Left and very similar to what has already happened in many areas of life. You sometimes have to think for a while to decide if a particular passage is satire or something that has already happened in today’s world. Unfortunately, if I could get a progressive with no sense of humor (not difficult to find) to read this book (harder to do), I suspect he would actually approve of at least 80% of the cant that Schlichter makes fun of. Which just goes to prove his point, I suppose.Fifth, the entire plot shows, as the saying goes, “man proposes and God disposes.” Nothing ever goes according to plan. Everybody knows this and yet everybody acts as if he doesn’t know it. This is true both on the tactical and the strategic level. Thus, glib calls on the Left or Right for the type of split Schlichter portrays are ill-considered merely as a planning matter, for the end-result is not likely to be what the speaker wants. More likely it’ll be some form of unpleasant authoritarian government on both sides, since governments that cherish freedom are in short historical supply.Sixth, if one must fight a civil war (for just because it’s unpleasant in the extreme doesn’t mean it won’t become necessary), this book shows why it’s a myth that Americans could not effectively fight back against the traditional Army, with its overwhelming technological and weapon superiority. Of course, our inability to win in Afghanistan and Iraq shows that clearly enough, but the balance would be closer to even here. You often hear that the Second Amendment is an anachronism, with the claim that small arms can’t defeat a modern army. (We can leave aside that the definition of “arms” in the Second Amendment should clearly include more than small arms; it should also be totally legal to own any type of portable crew-served weapons, including machine guns, mortars and anti-tank rockets, as well as explosives and grenades, with, of course, no government oversight or tracking). But you don’t need an army to defeat an army—you just need enough weapons to kill enough people to acquire heavier weapons (or, as here, supply from abroad of anti-tank and other man-portable destructive devices), and then you need to use those weapons effectively. Given the large numbers of Americans in red states with military training, that probably won’t be too difficult. And that’s true for an insurgency—what’s portrayed here is basically proxy civil war, which would likely be even more effective from the insurgents’ perspective.In some perfect world, I’d like to rate this book “fun, if gruesome, fantasy,” and now go back about my day. Instead, I rate it one-quarter prophecy, one-half warning and one-quarter training manual, and now I will go worry about it. I’m not happy about it, but that’s just the way it is.

This is the first review I've ever written. Ever! No one, or nothing else, was worth my time and effort.I stumbled upon Mr Schlichter's writing on twitter. I researched him, saw his credentials, and immediately felt a bond towards him, bought People's Republic, and was immediately drawn towards Turnbull the way I was Jack Ryan.Political fiction at its best while paralleling today's climate. The lines almost touch sometimes.Already licking my chops for more....get to work Colonel!

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